He returned to the States in 1967, and acted as a spiritual figure in the extended Grateful Dead family, attending births and performing wedding ceremonies (he officiated at the wedding of Jerry Garcia and Carolyn “Mountain Girl” Adams, for instance). Therefore, his adopted surname is more of a trade-based honorific (think “Peter, the monk”). After leaving the Navy, he traveled extensively, especially in Asia, where he became an ordained Buddhist monk. He studied philosophy and graduated from the University of Michigan in 1958, and then served in the US Navy until 1962. It notes that Peter Richard Zimels, aka Peter Monk, was born in March 1937 in New York City.
The brief biographical essay about Peter Monk included in The Complete Annotated Grateful Dead Lyrics was contributed by Alan Trist. There are quite a few alternate hearings, especially around the line: “Terrible, the only game in town,” which many, including myself, hear as “Parable, the only game in town.” Monk’s lyrics for the song have been the source of quite a bit of debate.
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It's a take on a Fleetwood Mac tune called ‘Station Man.’ I just sort of sped it up and put some different chord changes in there." Lesh wrote the song, admittedly based on Fleetwood Mac’s riff for their song “Station Man.” Lesh said, in an interview in Dupree’s Diamond News, “What's weird about that song is I sort of did it as a joke. So we have a song written by Peter Monk, with music by Phil Lesh, and sung by Bob Weir and Donna Jean Godcheaux on Terrapin Station. In the case of “Passenger,” the added quirk is thrown in of someone other than the composer singing the song. There are several original songs in the Grateful Dead repertoire with a one-time-only lyricist. (I’ll consider requests for particular songs-just private message me!)
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Therefore, the best part, I would hope, would not be anything in particular that I might have to say, but rather, the conversation that may happen via the comments over the course of time-and since all the posts will stay up, you can feel free to weigh in any time on any of the songs! With Grateful Dead lyrics, there’s always a new and different take on what they bring up for each listener, it seems. Sidney Myer Music Bowl, Melbourne, January 25, $99-$201+bf, TicketmasterĮnmore Theatre, Sydney, January 28, From $89.Here’s the plan-each week, I will blog about a different song, focusing, usually, on the lyrics, but also on some other aspects of the song, including its overall impact-a truly subjective thing. SEE: Passenger performs at Brisbane’s Riverstage, January 20, $99-$201+bf, Ticketmaster It’s a sensational time of the year to tour,” he says. “I think I have spent January in Australia for the last six years. This tour will be the first time he has performed with his band in Australia, to help fill out his sound on the bigger stages he is playing in Brisbane and Melbourne. It’s a no-brainer for the man who regards the country as his second home, spending as much time busking and travelling its length and breadth as he does in the northern hemisphere. Rosenberg heads back to Australia in the New Year for his next tour. “I think everyone has a song called Home even if they haven’t released it it’s that simple thing of being away from it,” he said. Rosenberg says a song about where you live is more likely to be about absence than renovating. A quick search and you will find more than 70 songs called Home.
“As much as I love music and that’s what I have dedicated my life to, there are other things I want to put energy into like people and relationships.” “Once you have done it for as many years as I have now, what’s your life without touring and I know I am not the first musician to face this conundrum. “It’s a great problem to have, writing so much, going on tour and coming back with another album written and doing it all over again,” he said. He admits he battles with the idea of swapping his wanderlust for “people and relationships”. sounds personal, a musician’s yearning for the other things life has to offer. Passenger has a knack of capturing his experiences or the people he meets while busking or travelling the world in song.īut much of Young As The Morning. “I wished it was my guitar: I think he may have noticed if I had kept it,” he says, chuckling. The gracious proprietor would pop in for a beer during the sessions and gave Rosenberg use of a 1950 Gibson guitar which the British singer and songwriter proclaims to be “the most amazing guitar I have ever played in my life.” Rosenberg made his eighth record in Sydney and Auckland where he enjoyed beers with the owner of Roundhead Studios, one Neil Finn. Midweek Predictions: to land his first #1.
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